Anton Kuh: writer and performer
            âPublish or perishâ, as the saying goes. Only those who leave written records will be remembered. In the case of Anton Kuh, scarcity of published material is not really a problem for the biographer Walter SchĂŒbler. In a previous project, also funded by the Austrian Science Fund FWF, SchĂŒbler edited seven volumes of the works of the Austrian author, who died in New York in 1941. With the support of the FWF, Walter SchĂŒbler has now embarked on a scientific treasure hunt in order to document Kuhâs ephemeral main oeuvre, his extempore speeches. âI was able to identify 75 extempore speeches and reconstruct at least their content on the basis of reviews. They represent the chronological milestones of the biographyâ, says Walter SchĂŒbler, thus submitting further proof that Anton Kuh was anything but an inconsequential coffeehouse writer.
Writer, speaker and boundary-pusher
As an extempore speaker, Kuh was âone of a kind. Kurt Tucholsky called him a Sprechsteller[1]. He was renowned for his sparkling wit, outstanding observations, brilliant verve, overwhelming rhetorical vigour, exhaustive expert knowledge, dazzling aphorisms, rousing temperament, etc.â Anton Kuh made his debut as a public speaker in Prague in 1917. Audiences flocked to the venues to hear him speak about topical issues under such titles as The Tragedy of Jewry, Shakespeare and Dada, Bourgeois Eroticism, Why are we out of money?, Nietzscheâs Walking Cane or the Petty Theatre of Race, or The Art of Surviving Hitler. In 1938, the Jewish writer had to leave Austria, which was not as hard on this restless nomad as it was on many others. Under the Nazi regime, his works were on the list of âdamaging and undesirable writing.â
Live fast, die young
An author of several biographies, Walter SchĂŒbler explicitly refuses to follow the mould of the genre of Bildungsroman with an âomniscient narratorâ who attempts to explain someone elseâs life from cradle to grave. This biography is no exception and preserves the âflavour of the sourceâ, providing background information on the era in which Kuh lived. The monograph starts with a âpersonal descriptionâ. Wherever possible, SchĂŒbler lets Anton Kuh speak for himself. âHe lived an excessive life trying to cram as many heartbeats as possible into every minute of existence! His lifeâs motto was âQuod licet bovi, non licet Joviâ, or âwhat is permissible for Kuh[2] is hardly permissible for Godââ, notes the scholar. Recently published by Wallstein, Walter SchĂŒblerâs monograph demonstrates that Anton Kuh was neither an insignificant local character nor a political featherweight. He was an eminently political person, and even at an early age he became âinvolved in the political debates of the day with his contributions, and as an avowed âleftyâ, he risked life and limb in his reckonings with the Nazisâ, says SchĂŒbler in the interview with scilog.
A touchstone for Karl Kraus
SchĂŒblerâs entrĂ©e into the reading of Kuhâs writings was a transcript of an extempore speech entitled Zarathustraâs Ape from 25th October 1925, in which Kuh took Karl Kraus to task: âOne needs to know that in those days anyone who Karl Kraus attacked in the Fackel became a social outcast. Anton Kuh obviously couldnât have cared less.â The âchampion of contrarinessâ relentlessly teased Kraus for many years. The biographerâs appetite for Kuhâs texts is still undiminished: âKuhâs writings reflect the insights of a quick-witted flĂąneur, someone wide awake to what was going on around him. His observations are sharply contoured, habitually devoid of respect or tact and not at all shy of calling a spade a spade. Intrinsically linked to the argument, his mockery is always analytical.â With his latest book, SchĂŒbler makes this writer from the Habsburg Monarchy, Weimar Republic and Austrian interwar period accessible to the public at large.
Personal details Walter SchĂŒbler is a graduate in Translation Studies at the University of Vienna and wrote his thesis on Rabelais. The author, whose main focus is biographical, lives in Vienna. Since 2005, most of Walter SchĂŒblerâs work has been devoted to the life and oeuvre of Anton Kuh in the context of FWF project grants.
Publications (in German)